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March 2009
 
Feature Artist: Nouka Yang

 Nouka Yang, felt artist, wearing a sample of her work.


Becoming an Artist

Written by Mikow Hang, December 5, 2008

The Twin Cities’ arts heritage has attracted artists from far and wide to the metro area. Now, it is also the “Hmong-Arts Mecca”. With its many resources and opportunities for artistic development and exhibition, it is no wonder many Hmong artists are also coming to Minneapolis and St. Paul. This past October, St. Paul had its 26th Art Crawl, an event where local St. Paul artists open up their studios to the public and galleries exhibit new works by artists. One Hmong artist, feltmaker Nouka Yang, took part in this fun local art tradition.

Yang always considered herself an artist. “My hands spoke better than my mouth,” she explains. All throughout her childhood she was interested in her mother’s paj ntaub [pa dow, traditional Hmong needlework], so it was only natural for her to be drawn to the arts. She dabbled with different types of art forms during her early years in college at the University of WisconsinRiver Falls and found her calling during a class in fiber art. “It [fiber art] just felt so familiar, and I experimented with everything that my teacher gave me. But when (my professor) came to that one particular fiber material, something just opened up in me and I was just overflowed with ideas. And I knew (this is it).”

Yang explains felting as “taking wool and dying it and manipulating it with water and soap”. In other words, the process uses soap and water and a lot of rolling action to bond loosely shredded dyed wool to make a silky lightweight felt fabric. The resulting fabric then becomes useful and decorative artistic creations.

Yang’s parents were skeptical about her career path in the beginning, but she kept plowing forward with felting, creating scarves, hats and earrings. She pushed herself so far in her felting classes that her professors were unable to train her any further. Yang eventually began teaching felting classes her junior and senior years in college. After graduation, Yang packed her bags and left for a year-long internship with Jorie Johnson, an accomplished American feltmaker whose studio is based in Kyoto, Japan.

Her life-altering journey began when she became fascinated with a seamless jacket made by Johnson pictured in an American art magazine. Yang contacted Johnson and did not think twice when Johnson responded to her email offering her an apprenticeship. Through Johnson’s mentorship, Yang improved her technical skills and even had the opportunity to help Johnson with her book “Feltmaking and Wool Magic,” which is now available in bookstores.

Returning to the United States a little over a year ago, Yang is readjusting to the American diet, transportation and Minneapolis city life. Although she would like to make felt exclusively, she currently holds a full time job to support herself and her primary passion. She has set up a modest studio that consists of a big table, water, soap and wool. In hopes of expanding it and working on her new collection, she applied for the Jerome Fiber Artists Project Grant Program, piloted by the Textile Center on University Avenue in St. Paul.

Yang looks to a future when Hmong arts are an integral part of the vibrant cultural landscape of the Twin Cites. To get there, she would like to see more Hmong artists involved with the St. Paul Art Crawl next year as well as other arts events and activities around the Twin Cities. Her advice to new and existing artists looking to deepen their skills is to find a mentor and network with other artists. She was fortunate to have mentors who guided her, helped her ask challenging questions and sent her looking for the answers. Networking is essential in the arts where the passion is high but the pay is not. Finding a supportive network of people is one reason why Yang has been successful.

Whether it is overseas or in the Twin Cities, it is certain this skilled and talented artist will be successful. With fiber art and needlework being such an integral part of the Hmong culture, it will be exciting to see where Yang will take feltmaking.

You can see images of Nouka Yang’s work at her website, www.nkyang.com. The site is still in its infancy but she hopes to add videos, blogs and live demos on felting in the near future. If you are interested in felting or would like to contact Nouka, email her at nouka@nkyang.com or visit her website.


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